.
2.8.
the texture of my missed sunrise
wrapped in amber arms and a smirk
fluxing in the newborn light:
I’d’ve flung myself in arms that begged to hold me
if I’d known they were there
I’m staring into your distance, someone
singing in my buttoned ears
—chops for my cubical existence
wandering mind
there’s cement beneath us in springtime, still cold
to the touch of jean-clad cheeks,
this tank top rag doll
folded into your lanky figure,
patient for day
I’m trapped, sometimes,
in fleeting shadows—moments that shouldn’t feel
like midwinter sun taunting,
glaring winds
tangling the air, hair
falling in your solstice eyes,
but they do
.
















Comments
I’d’ve
I don't know if I've ever seen that written. Double contraction. Neat.
The metaphors in this poem seem "coded". It is sentimental in such a way that it becomes prohibitively esoteric. As a reader, I don't get much of a foothold in the language.
This is largely a tonal issue. Sometimes it is difficult to pick out exactly what, specifically, is creating this tone and why, but I'll give it a shot if you're interested.
I LOVE double contractions, though I'm the only person that uses them (in my limited experience).
I confess, it's a moody poem.
--
do your part. love your mother.
Greenpeace [link]
--
Any Religion that Makes fanatical claims and demands on the basis of a gods will, frightens me. -Anne Rice
I\'m still just sitting back and envying your images.
--
I'm jus' here and now
The coded feeling of your poem isn't exactly created by what is there, but more by what isn't.
The only truly concrete (sic) image is:
"there’s cement beneath us in springtime, still cold
to the touch of jean-clad cheeks,"
Everything else is lost in abstraction. References to arms are tactile, but still abstract, they exist in an imagistic space of disembodied arms holding the "I" in the poem. There is not a point when you ground the reader.
In a short poem if you want to toy with the reader and earn their suspension of their disbelief you have to give them a reference point. Concrete images can function well in this regard.
there’s cement beneath us in springtime, still cold
to the touch of jean-clad cheeks,
this tank top rag doll
folded into your lanky figure,
patient for day
These lines describe to me sitting on the sidewalk with clothes on. I'm picturing you and another guy there. Guy's laying down your sitting crosslegged but your a doll and not a person. Something like a cabbage patch girl.
Anyways... well done.
-doomit
--
I AM NOT IN CONTROL!
-Doomit
--
do your part. love your mother.
Greenpeace [link]
-doomit
--
I AM NOT IN CONTROL!
-Doomit
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